Sweet Baby James
Taylor, James

Sonic Comfort Food
If you're a guy, you need this on the shelf as a symbol of your sensitivity. Sweet Baby James sends prospective girlfriends the tacit signal that you can kick back and be mellow. If you're a girl, you need this because for several generations now, your sisters have turned to James Taylor, in winter, spring, summer, or fall, whenever they needed a friend. This is Taylor's breakthrough, and one of the first singer-songwriter records to make a virtue of sensitive-guy introspection. After it, Taylor, whose music incorporates bits of country and gospel, became a big star and, later, a chardonnay accompaniment for warm summer nights.
As his career progressed, Taylor buffed the edges of his confessional approach until it became glossy L.A. soft-rock. This album's desultory and downcast odes, among them the title track and "Country Road," argue that the edges were crucial to his art. The best songs here start at a shattered emotional pitch; they follow sad and somewhat lost characters as they try to pick up the pieces. "Fire and Rain," which was allegedly inspired by a suicide in a mental institution where Taylor had been a patient, is among several songs that express a basic human desire to help. Such compassion can come off as corny; yet Taylor, with his rumpled aw-shucks delivery, conveys tender and genuine concern. It's this plainspoken Everyguy tone that brings people back to Sweet Baby James: Lots of singer-songwriters tell of dire circumstances and the hope that's nearly lost. Few manage to make the troubles fade as Taylor does, in a voice so reassuring and warm it can give a lifelong pessimist faith in the future.
Genre: Rock
Released: 1970, Warner Bros.
Key Tracks: "Country Road," "Fire and Rain," "Sweet Baby James," "Anywhere like Heaven."
Catalog Choice: James Taylor
Next Stop: Neil Young: Harvest
After That: Steve Forbert: Jackrabbit Slim
Book Pages: 765–766
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